filmlinc.com - 10/14/2008
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Scene Photo Tulpan Series: 46th New York Film Festival [Sept. 26 Oct. 12, 2008] Director: Sergey Dvortsevoy, Country: Germany/Kazakhstan/Poland/Russia/Switzerland, Release: 2008, Runtime: 100 Celebrated Kazakh documentarian Sergey Dvortsevoy won the Prix Un Certain Regard for this, his first ...
filmlinc.com - 10/8/2008
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filmlinc.com —
Scene Photo Ashes of Time Redux Series: 46th
New York Film Festival [Sept. 26 Oct. 12,
2008] Director: Wong Kar-wai, Country: Hong Kong, Release: 2008, Runtime: 93 An insanely beautiful swirl of Fauvist colors and glorious faces...the redone film ...
(more)
The New York Film Festival - Film Society of Lincoln Center
filmlinc.com - 10/15/2008
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filmlinc.com —
Scene Photo A Christmas Tale / Un conte
de Noël Series: 46th New York Film Festival [Sept.
26 Oct. 12, 2008] Director: Arnaud Desplechin, Country: France, Release: 2008, Runtime: 150 Arnaud Desplechin comes home for Christmas in his outrageous, ...
(more)
The New York Film Festival - Film Society of Lincoln Center
filmlinc.com - 10/15/2008
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filmlinc.com —
Scene Photo Tokyo Sonata Series: 46th New York
Film Festival [Sept. 26 Oct. 12, 2008] Director:
Kiyoshi Kurosawa, Country: Japan/Netherlands, Release: 2008, Runtime: 119 Kiyoshi Kurosawa delves into a different kind of horror with his surprising and ...
(more)
The New York Film Festival - Film Society of Lincoln Center
Comments
Blog Reactions
NYFF. Tulpan + Interview. Sergey Dvortsevoy.
GreenCine Daily —
"A folk tale disguised as a documentary, Sergei Dvortsevoy's Tulpan appears something like actual reality, half-planned and half-found," writes David Phelps in Slant. "Long handheld takes of dust storms and emerging tornados and lightning storms in the ostensibly uninhabitable Betpak Dala desert region of Kazakhstan find, somewhere in the foreground, a story of a few farmers walking among their sheep and huts, whose goal seems less to cultivate the land than protect themselves from it.... If Flaherty's films are about ...
NYFF 2008: The rest.
IFC.com - Indie Eye —
... at the press screening, but I've been longing to. The narrative in "The Headless Woman" is so submerged it's almost subliminal -- after seeing it I was caught up in conversation after conversation as to what it was actually about, which would be the class gulf and an internal view of few days spent in shock. It is, in its quiet way, audaciously daring, and I like it a lot in retrospect, though the chances of someone picking it up seem regrettably slim.
"Tulpan"
Ex-sailor Asa lives with his sister and her family on a Kazakhstan steppe, helping ...
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