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Another Movie on the Move: '2012' to Open November 13th
Get The Big Picture — ... Variety reports that the studio feels confident in the rest of its summer slate - Angels & Demons, The Taking of Pelham 1, 2, 3, the comedy Year One, and the just moved The Ugly Truth. ...

Roland Emmerich's '2012' pushed back
The Screening Log — Sony Pictures has pushed back the release of Roland Emmerich's new disaster movie "2012" to Nov. 13, 2009. The film was originally scheduled to open July 10, but some folks at Sony felt the flick would have a greater shot at making big bucks later this year. Variety has this to say about the release date change: "Sony prexy of worldwide distribution Rory Bruer said the studio has a very strong summer slate-- including tentpole 'Angels and Demons' (May 15) and Denzel Washington-John Travolta actioner 'The Taking of Pelham One Two Three' (June 12) -- and that it made sense to move '2012' to ...

2012 won’t be a summer movie
Total Film News — 2012 won’t be a summer movie Roland Emmerich’s latest moves back BY James White Jan 21st 2009 1:01AM FILED UNDER: Movie news Be the first to comment If you ve been feverishly awaiting the latest Roland Emmerich disast-o-spectacle 2012, you ll have to keep on feverishly awaiting a little longer. Son has decided to shove the film s release across the pond back from early July to November 13, the time period it has had success with the Bond movies in America. And no, it s not because Emmerich is being forced to re-shoot half the film to include a proper script or anything it s just that the studio feels it s got a healthy slate and is ...

End of the World Delayed a Few Months
I Watch Stuff - The Best Movie News Ever — Oh man. I hope you haven't made your post-watching-2012 Olive Garden reservations yet, because we're going to have to wait until November to see Roland Emmerich's the-world-is-ending-in-three-years! movie. From Variety: ...

2012
FILMdetail — The latest CGI disaster-porn blockbuster from director Roland Emmerich is an insane roller coaster ride in the mould of his previous films. When Sony Pictures hired Emmerich to make 2012 they clearly weren’t doing so in the hope that he would make an intimate examination of how governments respond to a global crisis. Armed with a huge budget he has constructed an overblown cocktail of his greatest hits: Independence Day (in which the world is devastated by aliens); Godzilla (in which a city is devastated by a lizard);  The Day After Tomorrow (in which the ...