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Q&A with Musician Elliot Goldenthal, the Composer of "Public Enemies"
Q&A with Musician Elliot Goldenthal, the Composer of "Public Enemies"
From Broadway to the dance stage, opera hall and movie screen, Elliot Goldenthal has proved himself one of the most versatile composers of his generation. In 1995, he adapted Shakespeare's Othello as a ballet. In 2003, he won an Academy Award for his score to Frida . In 2006, he was named a ...
Public Enemies: Goldenthal Returns to Studio Score
Public Enemies: Goldenthal Returns to Studio Score
weblogs.variety.com — The only Oscar I ever held belonged to Elliot Goldenthal, who won for his diverse, Mexican-tinged score... for partner Julie Taymor's Frida. The New York couple (together since 1984) are equally serious about opera, film and musical theater, which all ... (more) Public Enemies: Goldenthal Returns to Studio Score
Film Review: Public Enemies (2009)
Film Review: Public Enemies (2009)
film-book.com — The disenfranchised, dystrophic probation era is brought to life in Michael Mann’s Public Enemies . The criminals... housed in Public Enemies are representations, like in American Gangster , of the role models current hooligans and “ gangstas ” regard with such high esteem. Film-wise, Public ... (more) Film Review: Public Enemies (2009)
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Public Enemies: Goldenthal Returns to Studio Score
Thompson On Hollywood — ... "He's intensely fascinated about music," says Goldenthal. "There are a lot of positives in that. But as the process goes along, the later it gets, the more he he wants to change things. All the discoveries you made earlier, you're not sure whether they will finally be on the screen. He's clear at every moment, but that doesn't mean his feelings won't shift day to day. That's the job. Maybe I'll work with him again 13 years from now." The composer also talked to Time. Meanwhile Taymor is working with songwriters Bono and Edge on the Broadway ...

Goldenthal on scoring ‘Tempest,’ ‘Enemies’
In Contention — ... Meanwhile, earlier this month, Time featured an worthwhile interview with Goldenthal, mostly on the subject of “Public Enemies,” but I liked this general take on the challenges of working in film as opposed to other media: ...

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