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Put spirit back in indie awards
Put spirit back in indie awards
Many awards shows are judged by how predictive they are of, well, other awards shows. Do the Globes reflect what Academy voters are thinking? Will SAG yield clues on the best actor Oscar race? The industry's two indie-film kudofests -- which both have big days today -- have operated ...
Full Nominees List of 2009 Spirit Awards
aceshowbiz.com — 'Rachel Getting Married', 'Ballast' and 'Frozen River' are tied as the leaders of the 2009 Spirit Awards'... nominees with six nods each. (more) Full Nominees List of 2009 Spirit Awards
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Whole Lotta Indie Going On
Carpetbagger — ... about how “indie” should be defined in an increasingly mashed-up world and over at The Hollywood Reporter, Steven Zeitchik suggests the indie celebrations are losing the battle to seem outré because indie film has won the war. But there’s one thing these awards didn’t count on as they forged their contrarian mission: They’d become too successful. Indie movies are now such a part of the awards mainstream that they regularly trump studio movies. When “Blood Simple” was nominated for five Spirits (including best feature) in 1986, it was a daring choice of a movie the Academy ...

Oscar Launch: The Silly Season Commences
The Screengrab — As the days of 2008 dwindle down to a precious few, the year-end think-pieces, Oscar prognostications and meta “we’re not really prognosticating, but rather ironically commenting on the ridiculous awards process” articles proliferate at an alarming rate. How to keep up? How to ensure that you’re familiar with not only the consensus Academy Award front-runners, but also the reasons they have been anointed, while more worthy efforts have been snubbed? Now more than ever you need to the Screengrab, where we consume and digest this information, then regurgitate the salient points in tasty bite-size increments. We begin with The New York Times, where David Carr calls ...

Reduced budgets leads to more quality in awards nominees
Movie Marketing Madness — Less money to spend on marketing - either as a whole or specifically geared around garnering awards - has led some to see this year’s entries in the awards mix as being a cut above in quality. The thinking seems to go like this: Because there’s less money at the studios to spend on campaigns, there is more room for smaller movies that are of a higher quality but which lack the resources to gain awareness and make an impression. Yes, the studios, their specialty arms (those that are surviving) and the mini-majors have less cash on hand in these tough economic times. So movies that are good but which might not be great aren’t being advertised heavily, to the point where they ...

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