Submit a Story!
cabaretera noir
cabaretera noir
Victimas del pecado (1951) directed by Emilio Fernandez cinematography by Gabriel Figueroa Gabriel Figueroa was a master of light and shadows. There's a lot more besides the noir beauty. This is still technically a cabaretera. But can you imagine soviet-style editing on a ...
Comments
Blog Reactions

Links for the Day (February 27th, 2009)
The House Next Door — ... the country was living through. But the more I worked with the material, the more it seemed to take you out of the story. Slowly I realized that the most powerful thing was what these people on the tapes were say to each other and sometimes to this disembodied listener who winds up being us in the audience forty years later."] *** 2. Shahn at six martinis and the seventh art considers cabaretera noir. ["There's a lot more besides ...

Related Content
NOIR CITY 7-Jan 23 - Feb 1, 2009 - Film Noir Festival presented by the Film Noir Foundation
noircity.com 10/28/2008 — Friday, January 23 DEADLINE USA (1952) | SCANDAL SHEET (1952) Saturday, January 24 Matinee CHICAGO DEADLINE (1949) | BLIND SPOT (1947) Evening show with ARLENE DAHL IN PERSON! SLIGHTLY SCARLET (1956) | WICKED AS THEY COME (1956) Sunday, January 25 ...
Program for NOIR CITY 7 Film Noir Festival - Page 2 of 3
noircity.com 1/31/2009 — 1949, Paramount, 93 min. scr. Jonathan Latimer, dir. John Farrow 7:30 PM This Faustian tale of soul corruption has campaigning politician Thomas Mitchell making a pact with Lucifer (Ray Milland), while succumbing to delectable devil-doll Audrey ...
Program for NOIR CITY 7 Film Noir Festival - Page 3
noircity.com 1/31/2009 — 1947, WB, 103 min. scr. Ranald McDougall, dir. Michael Curtiz 7:30 PM This clever murder mystery from novelist Charlotte Armstrong gets the deluxe noir treatment from director Curtiz and cameraman Woody ( The Killers ) Bredell. When the secretary of ...
Neo, Cyber, and Postmodern Noir: A Look at Film Noir as an Evolving Genre
kolson-kevinsblog.blogspot.com 2/11/2009 — Many critics suggest that Touch of Evil (1958) was the last true noir film, not because the studios stopped making hard-boiled noir films, but because it seemed that as a society, as a culture, America was moving towards something different and ...